Imperial legacies and the politics of musical creativity
Identifieur interne : 001D45 ( Main/Exploration ); précédent : 001D44; suivant : 001D46Imperial legacies and the politics of musical creativity
Auteurs : Tina K. Ramnarine [Royaume-Uni]Source :
- World of music : (Wilhelmshaven) [ 0043-8774 ] ; 2004.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
Musical performances and discourses on music have provided some of the most prominent public forums for debates centred on the politics of empire, race and nation. Caribbean communities in a postcolonial Britain have contributed to pushing against the borders of the "national" through their musical practices. Of particular interest is the way in which calypsonians have begun to describe their practice as "British folk music." This description raises a series of questions concerning the borders of Britishness/Englishness, which will be explored in this article. While "British folk music " emphasises location, are its new performance spaces, like the Royal Opera House and the Victoria and Albert Museum, signs that Caribbean musics have found a place in the national imagination.
Affiliations:
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Le document en format XML
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